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These neck tattoos
at 22:14 15 Jul 2019

I’ve got nothing against tattoos I’ve got a few myself but by fuçk some these tattoos all around the neck and throat are horrendous.
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This is so addictive
at 18:25 14 Jul 2019

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The list of who legal action is against
at 15:34 13 Jul 2019

It was on here before.
Can someone post it again please?
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Voting forms have arrived then
at 10:24 12 Jul 2019

👀
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Billy Bragg on Morrissey
at 10:12 9 Jul 2019

Last Sunday, while much of the British media were lauding Stormzy’s Glastonbury headline show as epoch defining, Morrissey posted a white supremacist video on his website, accompanied by the comment ‘Nothing But Blue Skies for Stormzy...The Gallows for Morrissey’. The nine minute clip lifted footage from the grime star’s Pyramid Stage performance while arguing that the British establishment are using him to promote multiculturalism at the expense of white culture.
The YouTube channel of the video’s author contains other clips expressing , among other things, homophobia, racism and misogyny - left wing women of colour are a favourite target for his ire. There are also clips expounding the Great Replacement Theory, a far right conspiracy trope which holds that there is a plot of obliterate the white populations of Europe and North America through mass immigration and cultural warfare.
My first thought was to wonder what kind of websites Morrissey must be trawling in order to be able to find and repost this clip on the same day that it appeared online? I came home from Glastonbury expecting to see some angry responses to his endorsement of white supremacism. Instead, the NME published an interview with Brandon Flowers in which the Killers lead singer proclaimed that Morrissey was still “a king”, despite being in what Flowers recognised was “hot water” over his bigoted comments.
As the week progressed, I kept waiting for some reaction to the white supremacist video, yet none was forthcoming. Every time I googled Morrissey, up would pop another article from a music website echoing the NME’s original headline: ‘The Killers Brandon Flowers on Morrissey: ‘He’s Still A King’. I’m well aware from personal experience how easy it is for an artist to find something you’ve said in the context of a longer discourse turned into an inflammatory headline that doesn’t reflect your genuine views on the subject at hand, but I have to wonder if Flowers really understands the ramifications of Morrissey’s expressions of support for the far right For Britain Party?
As the writer of the powerful Killers song ‘Land of the Free’, does he know that For Britain wants to build the kind of barriers to immigration that Flowers condemns in that lyric?
Party leader Anne Marie Walters maintains ties with Generation Identity, the group who both inspired and received funds from the gunman who murdered 50 worshippers at a Christchurch mosque. How does that sit with the condemnation of mass murder by lone gunman in ‘Land of the Free’?
As an explicitly anti-Muslim party, For Britain opposes the religious slaughter of animals without the use of a stun gun, a policy that has given Morrissey a fig leaf of respectability, allowing him to claim he supports them on animal welfare grounds. Yet if that is his primary concern, why does he not support the UK’s Animal Welfare Party, which stood candidates in the recent European elections?
Among their policies, the AWF also aim to prohibit non-stun slaughter. If his only interest was to end this practice, he could have achieved this without the taint of Islamophobia by endorsing them. They are a tiny party, but Morrissey’s vocal support would have given the animal rights movement a huge boost of publicity ahead of the polls.
Instead, he expresses support for anti-Muslim provocateurs, posts white supremacist videos and, when challenged, clutches his pearls and cries “Infamy, infamy, they’ve all got it in for me”. His recent claim that “as a so-called entertainer, I have no rights” is a ridiculous position made all the more troubling by the fact that it is a common trope among right-wing reactionaries.
The notion that certain individuals are not allowed to say certain things is spurious, not least because it is most often invoked after they’ve made their offensive comments. Look closely at their claims and you’ll find that what they are actually complaining about is the fact that they have been challenged.
The concept of freedom pushed by the new generation of free speech warriors maintains that the individual has the right to say whatever they want, whenever they want, to whoever they want, with no comeback. If that is the definition of freedom, then one need look no further than Donald Trump’s Twitter feed as our generation’s beacon of liberty. Perhaps Lady Liberty should be replaced in New York Harbour with a colossal sculpture of the Donald, wearing a toga, holding a gaslight.
Worryingly, Morrissey’s reaction to being challenged over his support of For Britain, his willingness to double down rather than apologise for any offence caused, suggests a commitment to a bigotry that tarnishes his persona as the champion of the outsider. Where once he offered solace to the victims of a cruel and unjust world, he now seems to have joined the bullies waiting outside the school gates.
As an activist, I’m appalled by this transformation, but as a Smiths fan, I’m heartbroken.
It was Johnny Marr’s amazing guitar that drew me to the band, but I grasped that Morrissey was an exceptional lyricist when I heard ‘Reel Around the Fountain’. Ironically, it was a line that he had stolen that won my affections. “I dreamt about you last night and I fell out of bed twice” is spoken by Jimmy, the black sailor, to his white teenage lover, Jo, in Sheila Delaney’s play ‘A Taste of Honey’.
The 1961 movie, starring Rita Tushingham was an early example of a post-war British society that would embrace multi-racial relationships (and homosexuality too). By pilfering that particular line for the song, Morrissey was placing the Smiths in the great tradition of northern working class culture that may have been in the gutter, but was looking at the stars. Yet, by posting a white supremacist video in which he is quoted as saying “Everyone prefers their own race”, Morrissey undermines that line, erasing Jo and Jimmy and all those misfit lovers to whom the Smiths once gave so much encouragement.
A week has passed since the video appeared on Morrissey’s website and nothing has been written in the media to challenge his position. Today it was reported that research by the Institute for Strategic Dialogue, a UK based anti-extremist organisation, reveals that the Great Replacement Theory is being promoted so effectively by the far right that it is entering mainstream political discourse.
That Morrissey is helping to spread this idea - which inspired the Christchurch mosque murderer - is beyond doubt. Those who claim that this has no relevance to his stature as an artist should ask themselves if, by demanding that we separate the singer from the song, they too are helping to propagate this racist creed.
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The Gay Fooballer
at 17:47 8 Jul 2019

https://www.walesonline.co.uk/sport/football/football-news/championship-football
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Ex Cardiff player kissing his son
at 22:16 7 Jul 2019

🤔

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My Five Year Old Grandson
at 19:01 7 Jul 2019

Played his first game for ‘someone’ today. 👀


[Post edited 7 Jul 19:01]
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7/7 RIP
at 11:19 7 Jul 2019

RIP all those killed by cowardly Islamic terrorists 14 years ago today.
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This Konta bird
at 14:52 6 Jul 2019

Why do they keep calling her British?
She’s not British.
There’s nothing British about her.
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Pride March in London today
at 12:05 6 Jul 2019

Another waste of money that the police haven’t got.
Money that could go towards fighting knife crime.
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Garry Monk
at 08:17 5 Jul 2019

lol

https://www.dailymail.co.uk/sport/sportsnews/article-7214509/amp/Middlesbroughs-
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Just went down the Liberty to get the new kit
at 17:15 4 Jul 2019

And Lisa must be down there somewhere.


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Just for clarification
at 20:29 3 Jul 2019

Lisa didn’t PM me she’s just a miserable old twàt.
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Beautiful story
at 18:15 3 Jul 2019

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Dineen v Pearlman
at 11:09 3 Jul 2019

What the fuçk was the point of replacing Dineen with Pearlman?
£15k a week and a complete and utter load of wañk.

Shit sponsors and a disaster of a venture in the city centre plus he now employs (so I’m told) more staff in the commercial dept than Dineen ever did.

Seriously what was the point? £15k a poxy week more than when Dineen was doing it and for what?
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Right said Fred
at 22:31 2 Jul 2019

And then they went home.


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They’re coming home
at 21:56 2 Jul 2019

They’re coming home
England’s coming home
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USA USA USA
at 19:02 2 Jul 2019

Phil Neville can fuçk off too. 🇺🇸
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Who’s an upholsterer on here?
at 16:10 2 Jul 2019

That’s been talking to my next door neighbour? 🤷🏼‍♂️
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Darran


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